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He does so in episode 205, joining Statler and Waldorf in the balcony.
He sees the pair as kindred spirits, due to their dislike for the show, and their obvious age and respectability.
Gonzo, as Charles Dickens, corrects Sam that the story is set in England, to which Sam in like stateliness says "it is the British way".
In Muppet Treasure Island, he played the role of Samuel Arrow.
Sam is appalled by the nonsense that passes for entertainment on the series and does his best to keep things in check, even though his pleas for an end to madness are usually ignored.
As noted in the first issue of The Muppet Show Fan Club newsletter, Sam's overpowering burden is to act as the "moral center" of The Muppet Show.
In episode 213, he praises guest star Rudolf Nureyev as his favorite opera singer.
When informed that Nureyev is a ballet dancer, Sam shrugs, and notes that "culture is culture"; he subsequently fails to recognize Nureyev in street clothes, and has him thrown out.
Otherwise, his relationship with host Nigel is more amicable than it would be with Kermit on The Muppet Show proper.
He would, in fact, like to concern himself with the morals of the entire world, but "regrets that it takes all his time and energy just to keep up with The Muppet Show." Sam first appeared in the 1975 pilot The Muppet Show: Sex and Violence and in the first batch of Muppet Meeting Films.
In Sex and Violence, Sam works with Nigel in the control room; he spends his time playing solitaire by himself or checkers with Nigel and otherwise attempts to keep things running smoothly.
Sam the Eagle is an American eagle who feels his species and role as national symbol have placed certain responsibilities upon his shoulders.
He has taken it upon himself to promote and protect wholesome American morals and values, and he works behind the scenes of The Muppet Show as self-appointed censor and advocate of cultural, educational acts such as Wayne and Wanda.
Otherwise, Sam seldom performs onstage (though he frequently barges on to complain), unless convinced that the act is "cultural"; he is reluctantly persuaded to recite the lines of the dicky-bird in "Tit Willow" (episode 120).