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And if the people didn't accept you again, the one thing you feel like you can fall back on, it walked away from you.
You feel like it's over."One of Future's closest collaborators, DJ Esco – who helped break Future's earliest music via his Monday-night gig at the Atlanta strip club Magic City, perhaps the most important tastemaking spot in all of hip-hop – encouraged him to get back to his roots.
Even leaked mug shots from his pre-fame hustling days look like outtakes from magazine shoots.
He has a big, bright leading-man smile that he holds in reserve, unleashing it most consistently in the presence of attractive women.
(Future is reluctant to address this subject: "I never worried about anyone else ... I want to make this moment last as long as I can make it.
It's a Tuesday night, so it's relatively quiet – late on a weekend, it can be hard to find a place to stand.
Eventually, without a word, Future disappears into the vocal booth, in front of a portrait of Jay Z, and begins rapping.
After years of collaboration, he and Firkins have an uncanny bond: Without any instruction, the engineer always knows when to cue up the verse again, always understands which part to loop as the chorus.
Seth Firkins, his longtime engineer, a friendly stoner with a John Belushi vibe, compares Future to a "medicine man." Firkins, who is parked semi-permanently in front of that Pro Tools monitor, plays a looped beat from one of Future's preferred producers – today there are tracks by Mike Will and Metro Boomin – while Future hangs out in the control room, maybe mumbling to himself, maybe smoking his blunt, maybe just pacing.
Until he gets on the mic, he can be silent for 45 minutes at a time.